Fantasia 2017: Fashionista review: Dir. Simon Rumley (2017)
July 30, 2017 - Fifty Shades of Grey
Fashionista Review: A immature woman’s mania with garments take her to some really dim places in this twisty thriller from executive Simon Rumley.
Fashionista, a film now on a festival circuit, offers a dim and worried take on addiction. Rather than a common ethanol or drugs, we have clothes. Clothes? You ask… yes, clothes. Many women, and men, have an diseased mania with fashion, and while not seen to be as deleterious as a like of drugs or drink, any mania is bad for us.
April (Amanda Fuller) and her father Eric (Ethan Embry) run a selected wardrobe store. The pursuit is ideal for Apr as she has a clever affinity for fashion, and a passion for clothing. As events unfold, that means Apr to spiral, she finds herself regulating wardrobe as an impassioned romantic crutch, a mania holding her down a dangerous trail with puzzling foreigner Randall (Eric Balfour).
The film starts off in a common manner, yet shortly morphs into something dark, outlandish and entrancing. Every time we consider you’ve got Fashionista sussed, it surprises you, right adult until a finish when events unexpected zig instead of zag. It’s a conspicuous attainment in this day and age. Director Simon Rumley should be commended for his innovation, there’s a graphic miss of newness in films these days and it’s calming that there are still people out there dauntless adequate to mount out. You’ll get no spoilers from us, but Fashionista takes we on a uncanny and splendidly infamous outing down a rabbit hole.
Entirely vital adult to it’s name, Fashionista facilities a LOT of clothes. we can usually suppose how prolonged a hours were that Fuller spent removing in and out of new costumes. There are several montages within a film in that Fuller is in new garments in each shot. Seamlessly stitched together on screen, Apr might only be doing something as paltry as walking, yet her wardrobe constantly changes. The costuming bill contingency have been phenomenal! It works though, were Apr to have no clothes, or God forbid, wear a same thing some-more than once, we wouldn’t so simply trust in a character.
Amanda Fuller is breath-taking as a heroine April, and gives a stunningly clever and absolute performance. The book requires her to go to some dim places and she handles a scenes as simply as breathing. Similarly, she handles April’s wardrobe ‘crutch’ in a mature and worldly manner. In obtuse hands these sequences could turn comedic and cheap. She captivates from a opening moments and takes we on one heck of a ride. Also onboard is Fuller’s Starry Eyes co-star, Alex Essoe. In Starry Eyes Essoe played a lead, and Fuller a lead’s BFF; here a roles are, in a approach reversed, this is a film all about Fuller’s April, with Essoe on palm to support. The demeanour in that she is woven into a film creates it roughly feel like Essoe is vivid a film. It’s an peculiar prodigy but, in a film like this, not out of a ordinary.
Although Fashionista is all about a females, there are also good turns from Ethan Embry and Eric Balfour. Embry plays April’s rodent of a husband, yet notwithstanding his bad actions, draws a startling volume of empathy. Balfour, an actor who in my opnion is criminally underused in a film world, plays arguably a darkest purpose in a film. I’ve not seen or examination any of Fifty Shades of Grey, yet we have a feeling that Balfour’s Randall could give Christian Grey a run for his money.
Led by a constrained and absolute opening from Fuller, Fashionista is an fascinating and infrequently erotic thriller. Dark, dangerous and dreamlike, Fashionista has one ruin of a dim heart and wears it proudly on it’s, really fashionable, sleeve.
Fashionista examination by Kat Hughes, Jul 2017
Fashionista is now personification during the Fantasia International Film Festival.