How a Fifty Shades of Grey Team Celebrated After Smashing Star Wars Record

September 17, 2016 - Fifty Shades of Grey

Mere hours after Fifty Shades Darker dethroned Star Wars: The Force Awakens by posting a most-viewed trailer in a singular day—proving that sex is now a hotter commodity than sci-fi—the Fifty Shades of Grey artistic group fabricated for a well-earned cocktail. Perched on a rooftop patio of Catch in West Hollywood on Thursday evening, E.L. James—the artless English author who combined a best-selling franchise—sat with father and Fifty Shades Darker screenwriter Niall Leonard, chatting with well-wishers and gnawing cell-phone cinema of a circuitously scenery.

Although she was during Catch for Audi’s annual Emmy weekend kickoff, James told us that she will not be attending a tangible awards on Sunday night. (“I’ve got other fish to fry, as they say”). As she took a demeanour around a room, she pronounced that a celebration was how she was celebrating a record-breaking trailer release.

“I’m always shamed [by a response] . . . we was positively thrilled,” James pronounced of a passion over a sequel’s initial teaser. “And I’m anxious a fans are so happy about it.” While she described herself as a “terrible tease” (“i.e. we adore to tease,” she pronounced with a smile), all she would offer us about a supplement is: “I consider you’re going to adore it, that’s all I’m going to say.”

Explaining, she kindly added, “I consider Universal will fire us if we contend anything else.”

Nearby, authorization super writer Dana Brunetti—who was celebrating a record as good as a 11 Emmy nominations his Netflix array House of Cards earned—was a small some-more forthcoming.

“It’s unequivocally good,” Brunetti pronounced of a sequel, that again stars Dakota Johnson and Jamie Dornan as a story’s executive lovers Anastasia Steele and Christian Grey. Although a initial film instrumentation was a vicious and box-office success, Universal split ways with executive Sam Taylor-Johnson and screenwriter Kelly Marcel for a sophomore adaptation. And Brunetti told us that fans will see a noted disproportion when Fifty Shades Darker arrives in theaters in Feb 2017.

James Foley has finished an extraordinary job,” Brunetti pronounced of a sequel’s director, with whom he also works on House of Cards. “We shot both films [Fifty Shades Darker and Fifty Shades Freed] during a same time. He shot many episodes of House of Cards, and we do many of those during a same time, so we consider people are going to be means to perspective a film a same approach they competence a uncover like House of Cards. It’s going to be a lot of fun.”

And if a series of trailer views—“114 million views opposite YouTube, Facebook, Instagram, and other digital platforms,” Variety reported—proves equivalent to sheet sales, Fifty Shades and co. competence have a box-office hulk on their hands. Although a initial film’s $570 million sum was not paltry, Star Wars: The Force Awakens has clocked over $2 billion and counting worldwide.

“The fans are ravenous, so we knew it would do good and get a lot of views,” Brunetti pronounced of a trailer. “But 114 million and counting?” he pronounced jolt his head, still in disbelief. Aside from sipping drinks on a swanky Hollywood rooftop, how does one applaud that form of success?

“I posted on Instagram,” Brunetti said. (He published a shade squeeze of The Hollywood Reporter’s write-up with a single-word caption: “Boom.”) “I applaud all on Instagram, Twitter, and Facebook.”

As UnREAL’s Constance Zimmer, a Modern Family cast, and Cat Deeley mingled nearby—and Elizabeth Banks, in a shimmery black bodysuit, hold justice in a core of a room—Brunetti gave us a few tips about attending a Emmys (“get an aisle seat”). He also suggested that he’s already set his awards sights over this weekend, with a devise to renovate a Oscars should he produce, as has been rumored.

“If we furnish a Oscars, it’s not going to be a four-hour show,” Brunetti said. “We’re going to get absolved of some of a awards, get absolved of some of a dance numbers. What everyone’s watchful for is best actor, best actress, best director, best picture—everything that is during a end. They have all of these other awards during a front that a assembly unequivocally doesn’t caring about. Then what ends adult function is that a winners that everybody cares about finally get onstage, and they are rushed since a uncover is out of time.”

As we cheered on this prophesy for a much-needed Oscar slimming, Brunetti told us not to get the hopes adult only yet.

“The Academy hasn’t motionless yet,” he said. “I told them we would be blissful to do it. But they competence consider I’m a small too obscene and outspoken.”

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