This year’s many amorous novel creates ’50 Shades’ demeanour like a Bible

April 21, 2016 - Fifty Shades of Grey

Photo: Kenneth Willardt/Trunk Archive

If British author L.S. Hilton had her way, her new book “Maestra” would come with a warning tag on it. “It would say, ‘THIS IS NOT A LOVE STORY,’ ” says Hilton, who spoke with The Post on a write from a Gritti Palace in Venice, Italy.

“Maestra,” which came out Tuesday, is a initial installment in a trilogy and is firm to be a It beach book of a summer — with a lot of striking sex, several murders and no intrigue whatsoever.

It’s been on a Top 5 best-selling hardcover novella list for a past 5 weeks in a UK. It’s now sole in 38 countries, a initial breeze sparked a seven-figure behest fight final summer, and it’s already being done into a vital Hollywood film with a screenplay by Erin Cressida Wilson, who also penned a book for “The Girl on a Train.” “Maestra” is now ranked No. 48 in a psychological thrillers difficulty on Amazon.

Hilton, a 40-something Oxford historian, does not conclude comparisons to “Fifty Shades of Grey,” a 2011 E L James best seller (and successive series) that brought female-written erotica into a mainstream.

“‘Fifty Shades’ is a Cinderella story,” says Hilton, singular mom to a 10-year-old daughter. “A shy, pacifist pure who falls in adore with an comparison man, radically converting him to suburban dad, that is apparently what we all want.”

Unapologetic, assured and utterly a sociopath, protagonist Judith Rashleigh is no Anastasia Steele.

British author L.S. Hilton has penned a strike with her novel “Maestra.”Photo: Derrick Santini

Photo: Penguin Random House

By day, she’s a immature partner during a prestigious London art residence who is dismissed when she discovers a forgery she wasn’t meant to uncover. At night, she’s a stewardess during an upscale Champagne bar, hired to make certain organisation with income keep spending it.

Fearing serve atonement for a detected forgery, Judith goes on a run, though in a jet-setting arrange of way, with copiousness of yachting and high-end selling in Italy, Switzerland and France — as good as committing a few murders, in a name of self-preservation — along a way.

Her carnal adventures operation from sex parties with strangers (always upscale, with copiousness of exposed waitresses handing out lobster pastries) to fun deckside flings with prohibited Norwegian sea captains named Jan. (Hilton records that a Norwegian publishers of a book are now holding a “Mr. ‘Maestra’ competition” to find a male who looks a many like Jan.)

Murder and sex seem to vitalise Judith in most a same approach — she doesn’t spend any time feeling guilty about either.

“She’s meddlesome in sex, not men,” says Hilton. Indeed, what BDSM was to “Fifty Shades,” furious orgies is to “Maestra.” The organisation are mostly incidental.

One of a things that has astounded Hilton has been a response to Judith Rashleigh. “We did a concentration organisation of immature women and they pronounced they found Judith empowering. That wasn’t something we intended, though we was flattered,” says Hilton. “I don’t consider she’s a weaponized feminist icon, though she represents a annoy of a millennial generation. They’ve been innate into this economically modernized culture, and they’ve been fed an thought that they only need to work tough and rise their code on Instagram and all will work out, though no matter how tough they try, they can’t get ahead. Judith tries things a right approach — operative hard. Then she says, ‘Sod this, I’ll do it a wrong way.’”

Fans have really taken note. Judith is “the really clarification of lady energy though with combined mayhem!” enthuses one reader on Goodreads.

“Loving ‘Maestra’ waaaaayyyyyy improved than 50shades, this book has depth!” tweeted another.

“She’s a summary of a strong, complicated woman,” London proprietor Caroline Reeback, 44, who maintains a book blog called Caro’s Corner, tells The Post. “Shame she’s also a ruthless sociopath.”

True, says Hilton, though it’s about time a womanlike protagonist has a good time being bad.

“It seems there are manners women are approaching to conform — we are creatures of feeling, we can’t do anything but emotion,” she says. “Male characters don’t have to put adult with that s–t. we wanted to write a heroine who was available to disobey in a approach that a male would be. No one questions James Bond’s middle life.”

People are building forts with aged copies of ‘Fifty Shades’:

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