What ‘La La Land’ And ’50 Shades Of Grey’ Get Wrong About Love

February 21, 2017 - Fifty Shades of Grey

The EXTREMELY critical discernment that these adore stories lack.

Romantic adore is removing a reboot during a movies. Two large stream cinema — La La Land, which has been nominated for 14 Oscars, and Fifty Shades Darker a supplement to Fifty Shades of Grey (which has grossed some-more than a half-billion dollars worldwide given a 2015 release) — offer radically opposite takes on insinuate relations and a purpose of passionate passion in contemporary life.

Both cinema etch scattered liaisons of heterosexual couples, yet there a likeness ends (warning: tract spoilers ahead).

La La Land, the candy-colored reversion low-pitched about an singer and a jazz pianist struggling to make it in Los Angeles, starts as a customary love story: The lovers start out disliking any other, customarily to turn any other’s fans and cheerleaders. But their success eventually pushes them apart. Though both perform their artistic dreams, their kinship is dismantled by an inability to dedicate and to understanding with obstacles.

Fifty Shades Darker: Mainstream Erotica Returns to Cinema

Just in time for Valentine’s Day, a monochromatic Fifty Shades Darker returned to a initial movie’s sadomasochistic themes. Though it presents itself as a softcore porn fantasy, a film is required during a core.


This essay was creatively published during Wallstreet Journal. Reprinted with accede from a author.

source ⦿ http://www.yourtango.com/2017300103/what-la-la-land-and-fifty-shades-of-grey-get-wrong-about-love

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