Who should approach Fifty Shades Darker?

March 28, 2015 - Fifty Shades of Grey

You only destined one of a year’s many expected movies. Your film has grossed over half a billion dollars. The studio wants to make dual sequels. What do we do?

Well, if you’re Sam Taylor-Johnson, you run run run divided from the Fifty Shades of Grey franchise. Word widespread during the Fifty Shades press debate that Taylor-Johnson didn’t get along good with author E.L. James, who has a poignant volume of artistic control over a films. (No doubt she insisted that Fifty Shades of Grey feature all those riveting agreement traffic scenes and fan-favorite aircraft montages, and some peacock feathers.)

So who will direct Fifty Shades Darker, a supplement now designed for as shortly as probable Universal wants that skrilla let’s make it sleet baby 2016? It’s tough to suppose any timeless directors holding on Darker—although only suppose a J.J. Abrams reboot!—but it’s turn common for up-and-coming directors to take on authorization work as a pathway to a vast leagues. Think Rian Johnson doing Star Wars 8; think Colin Trevorrow doing Jurassic Park 4; consider Ryan Coogler doing Rocky 7: Son of Apollo.

Think Peter Strickland, a executive of Berberian Sound Studio and The Duke of Burgundy, a span of remarkably uncanny genre oddities. Duke of Burgundy is a pivotal comparison indicate here: Arriving in theaters during roughly a same time as Fifty Shades of GreyBurgundy is also an amorous BDSM kinkfest, desirous by ’70s euro-softcore like Emmanuelle. More than a few critics compared Burgundy to Fifty Shades, partially since they’re both eccentric and partially because Burgundy is a million times better. Strickland’s an particular director, and it’s tough to see him holding on supplement work—but if he wanted to take on a vast filmFifty Shades is a authorization that seems singly built for him.

Then again, maybe Fifty Shades Darker should take the Moneyball approach, anticipating an undervalued-asset executive who deserves a visible showcase. For approach too long, Kimberly Peirce has been perplexing to find a right plan to follow by on a guarantee of Boys Don’t Cry. Her chronicle of Carrie was intriguing, though suffered from a weirdly sanitized adaptation—something that nobody would design from Darker. (Peirce’s excellent work since Boys Don’t Cry might indeed be as a articulate conduct in This Film Is Not Yet Rated, where she rails opposite a MPAA’s limiting policies on womanlike orgasms—something that feels like a potentially press tour-defining articulate point.)

Likewise, Mary Harron has spent a years since her masterpiece American Psycho as a journeyman director, though a Notorious Bettie Page helmer has a style tailor made for a Fifty Shades film. (Hell, Christian Grey is fundamentally a somewhat less crazy Patrick Bateman.

 For that matter, if we’re articulate about voluptuous movies, because not go behind to a source? Adrian Lyne directed new-classic amorous thrillers Fatal Attraction and Unfaithful. Back in 2013, he bemoaned a fact that Hollywood had stopped creation cinema like that. Clearly, Hollywood listened.

With many authorization film adaptations, a executive is hamstrung when it comes to plot, character, and even set design; their categorical grant is mostly visual. It would be engaging to see what kind of stamp arthouse stylists like Harmony Korine or Sofia Coppola could do with this sudsy-camp material. It’s value remembering that Coppola was once in a using to approach a two Breaking Dawn films. Actually, given a debt that Fifty Shades of Grey owes to Twilight, maybe we should take a closer demeanour during that franchise’s directorial lineup. Breaking Dawn director Bill Condon also done a sex-research film Kinsey, that admittedly doesn’t underline a masquerade-ball lady-auction. Eclipse director David Slade has tangible a visible cultured of NBC’s Hannibal, a decadent kinkfest that feels really tighten to Fifty Shades’ wavelength.

Or maybe Pixar can take a reins and reboot the Fifty Shades series as a desirable story of a squad of mischevious ties who are always removing tied adult in several gnarled shenanigans. Who would we like to see direct Fifty Shades Darker? Lisa Cholodenko? Matthew Vaughn? Zack Snyder?

source ⦿ http://www.ew.com/article/2015/03/27/fifty-shades-sequel-director

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